One of the reasons I decided to stay where I stayed in Reykjavík was it was near a couple of galleries, and I thought it would be good to have some indoor things to do while in the city. The first gallery opened at 10AM, it was just after 10, and it was just starting to rain heavily.
I have no idea what will be in the gallery, but it will be warm and dry, and I know there will be interesting things to look at and ponder at, so I get my ticket bought and camera out and start to wander. And as I start to wander and warm up out of the rain, I feel how tired I am—shapes and colours will be just my speed.
But it’s not to be. The first stop is a room featuring work by Yoko Ono. There is a lot of text to take in, lots of thinking and self‐reflection, and my level of fatigue was having none of that. The art ground the gears of my tired mind, so instead I took in what I could take in, and enjoyed the surrealism of having what felt like the entire gallery to myself.
In the next room—having left the Yoko Ono exhibit—some sort of reverse film projector carousel positioned awkwardly in the corner…
After that: another projected piece—this time a texture is projected onto simple boxes placed a little less awkwardly in the corner and then the textures fly around with sound effects as they swap places. The fun part about this piece was being able to interact with it by standing in the way of the projector. And then a banana appeared—my sleepy head and caffeinated mind appreciated the banana, but it was hard to photograph.
Out in the hall were wishing trees where visitors were to write a wish down and tie it to the branches. I liked the idea. Being able to see wishes in other written languages was a bonus. I also got to see the full range of English wishes: everything from the altruistic to the ultra honest…
On the other side of the gallery was a room dedicated to more unusual sculpture—perhaps this is the work some would say is confrontational and challenging, work that defies categorization as it redefines it, begging the question: but is it art?
All I know is I’d have never thought one of the first few things I’d see in Iceland was a cheesy smiley face or a cabbage supported by pillars of marshmallows, but I’m glad I did, and I know the world is a better place because those things are in it.
The gallery turns out to be quite small and I’ve seen it all within an hour of arriving. It’s built into what used to be a fishing warehouse, so there are some interesting interior and exterior features of the building catching my eye.
One of the things I like doing with photos lately is framing lines and angles so they become the focal point of the image rather than vanishing into what they are forming: I want you see the lines and forms making up the staircase, for example, but not the actually staircase itself. Or I want the lighting and shadows to create something graphic without any identifiable objects. Photography is often literal: a real sky, a real tree, a real person—I want to take more abstract photos, where colour or texture or form are just those things and it’s more difficult to figure out what the photo “is” of.
The weather looks to have improved—it’s not raining at least. I head back into the outside where it’s still cold and damp to see if I can check into my room early. The rest of my body is figuring out its had no meaningful sleep and is confused about when, where, and what time it is.
And it turns out this will be the theme of my time in Iceland…

































