Tweetstagrams

Time to expand.

I’m hooking my blog up to Instagram and Twitter accounts so I can still get my digital media fix—forgetting I didn’t like who I had been working for before, I do enjoy the work. And now I’m working for me!

I’ve got my laptop working again, and the parts to repair my external hard drive are ordered and on there way. I’ve found and hooked up my scanner—time to get some work done.

And it’s actually time to do some work. I’m sitting on one of the loading docks at work posting from my phone again before the night starts. But before I go, the links…

Twitter—tachyonandon
Instagram—tachyonandon

Enjoy.

Alleys

New ways to get to the same places.

I’ve definitely decided I will be fixing as much of my computers as I can, but I’m also going offline in some ways—revisiting my love of pen and paper as a way to keep writing, so I’ll have to find and unpack my notes. It’ll be good to have my little books of crazy (as I call my frantically jotted collection of random thoughts) back.

I’m exploring the alleys around where I live. Yesterday’s surprise find was what I thought was this elegantly placed bathtub catching the intense afternoon shadows pictured above. Enjoy! I know I did.

Seriously. I think stuff like bathtubs sitting sideways in the back alley of a well‐to‐do neighbourhood of the city is great. How did it get like this? And why hasn’t it been stolen for scrap metal yet? But wait—what’s that just out of frame on the bottom right? An electric mixer. Delightful.

There was more in my head for this post, but I traded the time tonight for making a big dinner for myself using leftover food from work and my little yet quite delux hotel fridge in my room—and toaster oven Jamaican patties from the convenience story. They are fantastic at midnight and even better at 2AM.

So instead of more words, here’s a neat picture of me blowing out the light sensor in my phone’s camera for the sake of art.

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Sitrep: Optimistic

I’m writing this from my attic room on my phone. My external drive is still down, and now my laptop is giving me trouble—the battery burst and the system hangs when it tires to do anything with the wireless connection. It’s not specifically too good on the tech front with me. I’m really starting to see the appeal of chisled marks on stone. Those are still readable after thousands of years, and I’ve lost more data than I’m starting to think is worth the hassle of having it on a computer. I might ditch the laptop for a notebook. It doesn’t need charging or authorization from Apple to boot.

However—my room is wonderfully air conditioned, so one point for technology working to make my life better and more comfortable there.

I’ve been taking more pictures lately, and I’m almost to the point where I’d like to start posting them online as a daily feed—something I thoroughly enjoyed doing for years before I stopped when I thought, in all honesty, it was a stupid thing to be doing and no one noticed or cared—forgetting it was something I did because I noticed and cared. Boy—it’s a pain to do HTML on a phone keyboard.

There’s no processing or cropping on this post’s photo either since, in case you’re just joining us, I’m using my phone to make this post. It’s actually more like a terrible little computer that can send txts and make calls rather than anything I’d call a smartphone. There: my basic review of the Android platform as a bonus. Sorry, Google—I’m in love with Symbian. It’s the Finnish connection.

There is a certain rawness to working on just my phone. Perhaps it’s the idea of it being just a little sneaky—like I’m in the middle of The Matrix and I’ve dialed in on an ssh connection to hack things apart, and as I look around my room now the furniture fits: I’m in The Matrix. …Fascinating.

But, rawness—this is what I’d like to continue with, a more direct stream of consciousness from me into this project, less thinking about the stupidity of what it is and more realizing how stupid it would be if I didn’t actually do any of it after all this work. It’s been years. I’ve been working on this for years now that I think about it.

No wonder people think I’m insane.

But I know I’m not. Insane that is. Optimistic for sure—hopelessly so. That will never change. But insane—no.

…Wuff.

Departures: Part III

Welcome to the city.

It’s been a month since moving—and I’m having trouble wrapping my head around everything I did leading up to and since. There was an abruptness to it all, like a well‐choreographed tactical strike. Or a daring escape.

It brings me to my last and final Departures post—fitting as I’ve got one last move to complete this weekend before I’m truly finished. The room in my house at the end of the universe has been in the basement, but starting next month I’m getting a loft room in the attic. I’ll have a proper place to write and to work on my other projects, and there is an air conditioner. I’m excited!

After doing a night shoot of CityPlace in Part II, my dad and I went out again at night, but this time we walked around the Financial District and Nathen Phillips Square before heading over to Queen and University. No longer summer the cool October evening turned into a much colder night, and by the end of our walk I didn’t want to change any settings on the camera for it would mean taking my hands out of my pockets.

I like the city during the day. But I also like the city during the night. With my late shifts at work I’ve been getting to see so much more of the city at night, the other city as I like to call it, when whatever can’t be done during the day gets done once it’s dark. I’m reminded of one of the few photographer’s I know—Brassaï—who photographed almost exclusively at night, exploring the city streets and night life of Paris after moving there in 1924. He saw everything—from the high society crowds at operas to the maintenance workers who cleaned out the city’s sewers.

I mostly photograph things. It’s rare for me to include people, and if I have, it’s usually because I hadn’t been able to get the shot without them there. Normally I’ll wait for a frame to clear of people if I can. It’s not that I don’t like people—it’s just they’re often in the wrong place of the picture. That said, there are more people in this shoot than there ever have been in previous ones. It’s hard to avoid them in such a busy part of the city—even on one of the first colder nights of the year.

The narrative is chaotic—fitting, as at the end of this shoot I return home and find myself in the middle of the beginning of the ending of something which, in hindsight, needed to have ended long before it ever started. Yes—chaotic. Such is the nature of gaslighting—you don’t notice the sanity of your life slowly leaving until you’re surrounded by chaos. Or covered in cat scratches.

Yet I make my escape… I’m free. And all it cost me was my life up until then. But it’s okay. I’m building a new one now—a better one.

This is the part where everything breaks and you fix it, remember?

I remember.

Erasing Failure

I get through this. I always have. I always will.

This and the I’m Tired post are marked as asides—think of them as little detours on the general narrative of the new life project you’ve all signed up to join me on.

mid 18th century (as a noun): from French détour ‘change of direction,’ from détourner ‘turn away.’

This week’s change in direction comes via a hardware failure in my networked hard drive. All of my files are offline. All my words and photos and music… are all sitting right in front of me, but the little black box I use to get at them refuses to start. I’ll be able to recover everything, but it’s going to take more time, and, odd for time traveller, I sometimes feel like I don’t have as much time as I used to. Am I doing it wrong?

No—everything you’re doing is part of the plan. This is the part where everything breaks and you fix it, remember?

Oh, right…

See—I forget to remember sometimes in the face of where I’m going the path I’ve taken. I don’t see the progress I’m making because I’m always looking forward. I don’t want to look back so badly I forget it’s sometimes good to remind myself I am making progress. Two months ago I posted about having to move out of my apartment—I did it. For years I’ve wanted to work in a new industry, to do something positive for my world—and now I am. See. Progress.

The last time my life fell apart I told myself I wanted to be able to sit on my own couch and watch my own TV in time for my birthday, several months away at the time. It involved me getting a real job at a fake company and moving into the CityPlace apartment I would then leave again just over a year later. But I only missed my mark by a day. One day! Imagine if I’d actually tried at something which actually mattered…

Well—this time I am.

With that in mind, so what if I’m detoured by computer failures? I’ve recovered from worse. Bring it. And so what if I have no time this month for writing or photography? There is always next month. Or the month after that. If I had to work all through June so I could move and work all through July to get settled and work all through August to get rid of all the extra stuff I’ve been moving around with me for the last decade while I figured out what I wanted to do with myself and then toss in a rebuild of a terabyte of data just for fun—we’ve covered this already: bring it.

In fact, all these detours, all these journeys, all these trips, all these trials, all the no time between them—it’s all adding up. I remember something about me now, about how I used to be: unstoppable. It didn’t matter what needed to be done—I’d do it.

Now—where’s my swan or dolphin or rocket ship or whatever it is…?